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Nash, John

  • 1 Nash, John

    [br]
    b. c. 1752 (?) London, England
    d. 13 May 1835 Cowes, Isle of Wight
    [br]
    English architect and town planner.
    [br]
    Nash's name is synonymous with the great scheme carried out for his patron, the Prince Regent, in the early nineteenth century: the development of Marylebone Park from 1811 constituted a "garden city" for the wealthy in the centre of London. Although only a part of Nash's great scheme was actually achieved, an immense amount was carried out, comprising the Regent's Park and its surrounding terraces, the Regent's Street, including All Souls' Church, and the Regent's Palace in the Mall. Not least was Nash's exotic Royal Pavilion at Brighton.
    From the early years of the nineteenth century, Nash and a number of other architects took advantage of the use of structural materials developed as a result of the Industrial Revolution; these included wrought and cast iron and various cements. Nash utilized iron widely in the Regent Street Quadrant, Carlton House Terrace and at the Brighton Pavilion. In the first two of these his iron columns were masonry clad, but at Brighton he unashamedly constructed iron column supports, as in the Royal Kitchen, and his ground floor to first floor cast-iron staircase, in which he took advantage of the malleability of the material to create a "Chinese" bamboo design, was particularly notable. The great eighteenth-century terrace architecture of Bath and much of the later work in London was constructed in stone, but as nineteenth-century needs demanded that more buildings needed to be erected at lower cost and greater speed, brick was used more widely for construction; this was rendered with a cement that could be painted to imitate stone. Nash, in particular, employed this method at Regent's Park and used a stucco made from sand, brickdust, powdered limestone and lead oxide that was suited for exterior work.
    [br]
    Further Reading
    Terence Davis, 1960, The Architecture of John Nash, Studio.
    ——1966, John Nash: The Prince Regent's Architect, Country Life.
    Sir John Summerson, 1980, John Nash: Architect to King George IV, Allen \& Unwin.
    DY

    Biographical history of technology > Nash, John

  • 2 Nash, John

    перс.
    т. игр, эк. Нэш, Джон (1928-; американский экономист и математик, в 1949 г. написавший небольшую работу, в которой содержались фундаментальные идеи равновесия в некооперативных играх с ненулевой суммой; ввел термин best-response function и впервые использовал теорему Какутани о неподвижной точке для доказательства существования равновесия; впоследствии эту теорему взяли на вооружение в теории общего равновесия; описанные условия стали называться равновесием Нэша; в 1959 г. он был вынужден прекратить работу из-за сильного расстройства психики и смог возобновить научные изыскания только в 1970-х гг.; в 1994 г. совместно с Дж. Харсани и Р. Зелтеном получил Нобелевскую премию по экономике)
    See:

    Англо-русский экономический словарь > Nash, John

  • 3 Nash equilibrium

    тж. Nash point сокр. NE т. игр, эк. равновесие Нэша [по Нэшу\] (набор стратегий участников игры, при котором для каждого участника его стратегия дает ему наибольший выигрыш относительно стратегий других участников; может не быть парето-оптимальным)
    See:

    Англо-русский экономический словарь > Nash equilibrium

  • 4 Nash terraces

    ['næʃ,terəsɪz]
    дома́ Нэ́ша (комплекс домов вокруг Риджентс-Парка [ Regent's Park I] в Лондоне; см. тж. terrace)
    по имени архитектора Дж.Нэша [John Nash, 1752-1835]

    English-Russian Great Britain dictionary (Великобритания. Лингвострановедческий словарь) > Nash terraces

  • 5 Harsanyi, John Charles

    перс.
    эк. Харшаньи, Джон Чарльз (1920-2000; американский экономист венгерского происхождения; чудом избежал концлагеря во время второй мировой войны благодаря полученной профессии фармацевта; в 1947 г. закончил Университет Будапешта, но вскоре был вынужден покинуть страну из-за усиления коммунистического режима; работал в Австралии, затем в США (Стенфордский университет, Университет Калифорнии в Беркли); внес существенный вклад в изучение игр с неполной информацией и теории аукционов; в 1994 г. получил нобелевскую премию по экономике совместно с Дж. Нэшем и Р. Зелтеном)
    See:

    Англо-русский экономический словарь > Harsanyi, John Charles

  • 6 Neumann, John von

    перс.
    мат. Нейман, Джон фон (1903-1957; американский математик венгерского происхождения, осуществивший разработку и приложение к решению экономических проблем теории игр; в 1928 г. сформулировал концепцию равновесия, которая предвосхищала равновесия по Нэшу; в 1944 г. издал совместно с О. Моргенштерном знаменитый учебник по теории игр; внес большой вклад в создание первых компьютеров)
    See:

    Англо-русский экономический словарь > Neumann, John von

  • 7 Dickinson, John

    SUBJECT AREA: Paper and printing
    [br]
    b. 29 March 1782
    d. 11 January 1869 London, England
    [br]
    English papermaker and inventor of a papermaking machine.
    [br]
    After education at a private school, Dickinson was apprenticed to a London stationer. In 1806 he started in business as a stationer, in partnership with George Longman; they transferred to 65 Old Bailey, where the firm remained until their premises were destroyed during the Second World War. In order to secure the supply of paper and be less dependent on the papermakers, Dickinson turned to making paper on his own account. In 1809 he acquired Apsley Mill, near Hemel Hempstead on the river Gade in Hertfordshire. There, he produced a new kind of paper for cannon cartridges which, unlike the paper then in use, did not smoulder, thus reducing the risk of undesired explosions. The new paper proved very useful during the Napoleonic War.
    Dickinson developed a continuous papermaking machine about the same time as the Fourdrinier brothers, but his worked on a different principle. Instead of a continuous flat wire screen, Dickinson used a wire-covered cylinder which dipped into the dilute pulp as it revolved. A felt-covered roller removed the layer of wet pulp, which was then subjected to drying, as in the Fourdrinier machine. The latter was first in use at Frogmore, just upstream from Apsley Mill on the river Gade. Dickinson patented his machine in 1809 and claimed that it was superior for some kinds of paper. In feet, both types of machine have survived, in much enlarged and modified form: the Fourdrinier for general papermaking, the Dickinson cylinder for the making of board. In 1810 Dickinson acquired the nearby Nash Mill, and over the years he extended the scope of his papermaking business, introducing many technical improvements. Among his inventions was a machine to paste together continuous webs of paper to form cardboard. Another, patented in 1829, was a process for incorporating threads of cotton, flax or silk into the body of the paper to make forgery more difficult. He became increasingly prosperous, overcoming labour disputes with unemployed hand-papermakers. and lawsuits against a canal company which threatened the water supply to his mills. Dickinson was the first to use percolation gauges to predict river flow, and his work on water supply brought him election to a Fellowship of the Royal Society in 1845.
    [br]
    Principal Honours and Distinctions
    FRS 1845.
    Further Reading
    R.H.Clapperton, 1967, The Paper-making Machine, Oxford: Pergamon Press, pp. 331–5 (provides a biography and full details of Dickinson's inventions).
    LRD

    Biographical history of technology > Dickinson, John

  • 8 Borel, Emil

    перс.
    т. игр. Борель, Эмиль (математик; в 1921 г. в небольшой статье рассмотрел ситуацию игры с нулевой суммой, в которой предвосхитил формулировку равновесия по Нэшу; один из первых сформулировал понятие стратегической игры)
    See:

    Англо-русский экономический словарь > Borel, Emil

  • 9 Selten, Reinhard

    перс.
    эк. Зелтен, Рейнхард (1930-; немецкий экономист, профессор Университета в г. Бонн; один из основных авторов современной теории игр и экспериментальной экономики; развивал концепцию ограниченной рациональности; автор парадокса розничной сети; в 1994 г. получил Нобелевскую премию по экономике совместно с Дж. Нэшем и Дж. Харшаньи)
    See:

    Англо-русский экономический словарь > Selten, Reinhard

  • 10 Architecture and building

    [br]
    Jeanneret, Charles-Edouard
    Li Jie

    Biographical history of technology > Architecture and building

  • 11 Selander, Lesley

    1900-1979
       Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.
        Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.
        The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.
        Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.
        Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.
        Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.
        Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.
        Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.
        The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.
        Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.
        Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.
        Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.
        Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.
        Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.
        The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.
        The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.
        Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.
        Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.
        Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.
        The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.
        Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.
        Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.
        Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.
        The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.
        Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.
        Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.
        Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.
        Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.
        Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.
        The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.
        Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.
        Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.
        Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,
        Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.
        Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.
        Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.
        Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.
        Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.
        Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.
        Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.
        Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.
        Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.
        Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.
        Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.
        Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.
        Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.
        Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.
        Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.
        Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.
        Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.
        Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.
        Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.
        Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.
        Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.
        Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.
        Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.
        Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.
        Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.
        Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.
        Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.
        Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.
        Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.
        Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.
        The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.
        Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.
        Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.
        Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.
        Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.
        Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.
        The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.
        Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.
        Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin
        Saddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.
        Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.
        Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.
        Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.
        Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.
        Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.
        Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.
        Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.
        Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.
        War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.
        Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.
        The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.
        Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.
        Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.
        Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.
        The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.
        Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.
        Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.
        Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.
        Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.
        The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.
        Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.
        War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.
        Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.
        Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.
        The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana Lorys
        Fort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.
        Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.

    English-Spanish dictionary of western films > Selander, Lesley

  • 12 Bibliografia

       ■ ADAMS, Les, y RAYNEY, Buck. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.
       ■ ANDERSON, Lindsay. About John Ford. Londres: Plexus, 1981.
       ■ ARESTE, Jose Maria. Pero….donde esta Willy? En busca de William Wyler. Madrid: Rialp, 1998.
       ■ ASTRE, Georges-Albert, y HOARAU, Albert Patrick. Univers du western. Paris: Seghers, 1973.
       ■ BELLIDO LOPEZ, Adolfo y NUNEZ SABIN, Pedro. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.
       ■ BINH, N.T. Joseph L. Mankiewicz. Madrid: Catedra, 1994.
       ■ BOGDANOVICH, Peter (entrevistador). John Ford. Madrid: Fundamentos, 1983.
       ■ BOGDANOVICH, Peter. Fritz Lang en America. Madrid: Fundamentos, 1984.
       ■ BOUINEAU, Jean-Marc, CHARLOT, Alain, y FRIMBOIS, Jean-Pierre. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       ■ BOURGET, Jean-Loup. John Ford. Paris: Rivages, 1990.
       ■ BOURGOIN, Stephane. Roger Corman.Paris: Edilig, 1983.
       ■ BOURGOIN, Stephane. Richard Fleischer. Paris: Edilig, 1986.
       ■ BOURGOIN, Stephane y MERIGEAU, Pascal. Serie B. Paris: Edilig, 1983.
       ■ BRANSON, Clark. Howard Hawks. A Jungian Study. Santa Barbara: Capa Press, 1987.
       ■ BRION, Patrick. Richard Brooks. Paris: Chene, 1986.
       ■ BUSCOMBE, Edward (ed.). The BFI Companion to the Western. London: Andre Deutsch/BFI Publishing, 1988.
       ■ BUSCOMBE, Edward. Stagecoach. Londres, BFI, 1992.
       ■ CASAS, Quim. El western. El genero americano. Barcelona: Paidos, 1994.
       ■ CASAS, Quim. John Ford. El arte y la leyenda. Barcelona: Dirigido por, 1989.
       ■ CASAS, Quim. Howard Hawks. La comedia de la vida. Barcelona: Dirigido por, 1998.
       ■ CASAS, Quim. Fritz Lang. Madrid: Catedra, 1991.
       ■ CHARLOT, Alain, FRIMBOIS, Jean-Pierre, y BOUINEAU, Jean-Marc. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       ■ CIMENT, Gilles (director). John Huston. Paris: Positif-Rivages, 1988.
       ■ CIMENT, Michel (entrevistador). Elia Kazan por Elia Kazan. Madrid: Fundamentos, 1987.
       COCCHI, John. The Westerns. A Picture Quiz Book. New York: Dover, 1976.
       COMA, Javier. Diccionario del western clasico. Barcelona: Plaza y Janes, 1992.
       COMAS, Angel. Lo esencial de Anthony Mann. Madrid: T & B, 2004.
       CORMAN, Roger (con Jim Jerome). How I Made a Hundred Movies in Hollywood and Never Lost a Dime. New York: Random House, 1990.
       CUEVAS, Efren. Elia Kazan. Madrid: Catedra, 2000.
       DIXON, Wheeler W. The “B” Directors. A Biographical Directory. Metuchen, New Jersey: The Scarecrow Press, 1985.
       DUMONT, Herve. Robert Siodmak. El maestro del cine negro. Madrid-San sebastian: Filmoteca Espanola, 1987.
       DUMONT, Herve. William Dieterle. Antifascismo y compromiso romantico. San Sebastian-Madrid: Filmoteca Espanola, 1994.
       DURGNAT, Raymond, y SIMMON, Scott. King Vidor, American. Berkeley: University of California Press, 1988.
       EDWARDS, Anne. The De Milles. An American Family. New York: Harry N. Abrams, 1988.
       ERICE, Victor y OLIVER, Jos. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.
       FAGEN, Herb. The Encyclopedia of Westerns. Facts on File, 2003.
       FERNANDEZ-SANTOS, Angel. Mas alla del Oeste. Madrid: Ed. El Pais, 1988.
       FETROW, Alan G. Sound Films, 1927-1939. A United States Filmography. Jefferson, North Carolina: McFarland, 1992.
       FINLEY, Joel W. The Movie Directors Story. Londres: Octopus, 1985.
       FRENCH, Philip. Westerns. Aspects of a Movie Genre. New York: The Viking Press, 1973.
       FRIMBOIS, Jean-Pierre, BOUINEAU, Jean-Marc, y CHARLOT, Alain. Les 100 chefs d’oeuvre du western. Alleur (Belgique): Marabout, 1989.
       GALLAGHER, Tag. John Ford. The Man and His Films. Berkeley: University of California Press, 1986.
       GARFIELD, Brian. Western Films. A Complete Guide. New York: Da Capo, 1982.
       GEIST, Kenneth L. Pictures Will Talk. The Life & Films of Joseph L. Mankiewicz. New York: Scribner, 1978.
       GIULIANI, Pierre. Raoul Walsh. Paris: Edilig, 1986.
       GRIVEL, Daniele, y LACOURBE, Roland. Robert Wise. Paris: Edilig, 1985.
       HARDY, Phil. The Western. London: Aurum Press, Revised Edition, 1991.
       HAUSTRATE, Gaston. Arthur Penn. La vida se mueve. Valladolid: 39 Semana Internacional de Cine, 1994.
       HENRIET, G, y MAUDUY, J. Geographies du western. Une nation en marche. Paris: Nathan, 1989.
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       HOARAU, Albert-Patrick, y ASTRE, Georges-Albert. Univers du western. Paris: Seghers, 1973.
       HOLLAND, Ted. B Western Actors Encyclopedia. Facts, Photos and Filmographies for More than 250 Familiar Faces. Jefferson, North Carolina: McFarland, 1989.
       HURTADO, Jose A y LOSILLA, Carlos. Richard Fleischer, entre el cielo y el infierno..Valencia: Filmoteca de la Generalitat Valenciana, 1997.
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       LACOURBE, Roland, y GRIVEL, Daniele. Robert Wise. Paris: Edilig, 1985.
       LARDIN, Ruben. Sam Peckinpah. Hermano perro. Valencia: Midons, 1988.
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       LEUTRAT, Jean-Louis. John Ford. La Prisonniere du desert. Paris: Adam Biro, 1990.
       LEUTRAT, J.-L., y LIANDRAT-GUIGUES, S. Les Cartes de l’ouest. Un genre cinematographique: le western. Paris: Armand Colin, 1990.
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       McBRIDE, Joseph (entrevistador). Hawks segun Hawks. Madrid: Akal, 1988.
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       REEMES, Dana M. Directed by Jack Arnold. Jefferson: McFarland, 1988.
       RIEUPEYROUT, Jean-Louis. La grande aventure du western. Du Far West a Hollywood (1894-1963). Paris: Ed, du Cerf, 1964.
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       SIMMONS, Garner. Peckinpah. A Portrait in Montage. Austin: University of Texas Press, 1982.
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       TCHERNIA, Pierre. 80 grands succes du Western. Casterman, 1989.
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       ZINNEMANN, Fred. A Life in the Movies. New York: Scribner, 1992.
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    English-Spanish dictionary of western films > Bibliografia

  • 13 Coade, Eleanor

    [br]
    b. 24 June 1733 Exeter, Devon, England
    d. 18 November 1821 Camberwell, London, England
    [br]
    English proprietor of the Coade Factory, making artificial stone.
    [br]
    Born Elinor Coade, she never married but adopted, as was customary in business in the eighteenth century, the courtesy title of Mrs. Following the bankruptcy and death of her father, George Coade, in Exeter, Eleanor and her mother (also called Eleanor) moved to London and founded the works at Lambeth, South London, in 1769 that later became famous as the Coade factory. The factory was located at King's Arms Stairs, Narrow Wall. During the eighteenth century, several attempts had been made in other businesses to manufacture a durable, malleable artificial stone that would be acceptable to architects for decorative use. These substances were not very successful, but Coade stone was different. Although stories are legion about the secret formula supposedly used in this artificial stone, modern methods have established the exact formula.
    Coade stone was a stoneware ceramic material fired in a kiln. The body was remarkable in that it shrank only 8 per cent in drying and firing: this was achieved by using a combination of china clay, sand, crushed glass and grog (i.e. crushed and ground, previously fired stoneware). The Coade formula thus included a considerable proportion of material that, having been fired once already, was unshrinkable. Mrs Coade's name for the firm, Coade's Lithodipyra Terra-Cotta or Artificial Stone Manufactory (where "Lithodipyra" is a term derived from three Greek words meaning "stone", "twice" and "fire"), made reference to the custom of including such material (such as in Josiah Wedgwood's basalt and jasper ware). The especially low rate of shrinkage rendered the material ideal for making extra-life-size statuary, and large architectural, decorative features to be incorporated into stone buildings.
    Coade stone was widely used for such purposes by leading architects in Britain and Ireland from the 1770s until the 1830s, including Robert Adam, Sir Charles Barry, Sir William Chambers, Sir John Soane, John Nash and James Wyatt. Some architects introduced the material abroad, as far as, for example, Charles Bulfinch's United States Bank in Boston, Massachusetts, and Charles Cameron's redecoration for the Empress Catherine of the great palace Tsarkoe Selo (now Pushkin), near St Petersburg. The material so resembles stone that it is often mistaken for it, but it is so hard and resistant to weather that it retains sharpness of detail much longer than the natural substance. The many famous British buildings where Coade stone was used include the Royal Hospital, Chelsea, Carlton House and the Sir John Soane Museum (all of which are located in London), St George's Chapel at Windsor, Alnwick Castle in Northumberland, and Culzean Castle in Ayrshire, Scotland.
    Apart from the qualities of the material, the Coade firm established a high reputation for the equally fine quality of its classical statuary. Mrs Coade employed excellent craftsmen such as the sculptor John Bacon (1740–99), whose work was mass-produced by the use of moulds. One famous example which was widely reproduced was the female caryatid from the south porch of the Erechtheion on the acropolis of Athens. A drawing of this had appeared in the second edition of Stuart and Revett's Antiquities of Athens in 1789, and many copies were made from the original Coade model; Soane used them more than once, for example on the Bank of England and his own houses in London.
    Eleanor Coade was a remarkable woman, and was important and influential on the neo-classical scene. She had close and amicable relations with leading architects of the day, notably Robert Adam and James Wyatt. The Coade factory was enlarged and altered over the years, but the site was finally cleared during 1949–50 in preparation for the establishment of the 1951 Festival of Britain.
    [br]
    Further Reading
    A.Kelly, 1990, Mrs Coade's Stone, pub. in conjunction with the Georgian Group (an interesting, carefully written history; includes a detailed appendix on architects who used Coade stone and buildings where surviving work may be seen).
    DY

    Biographical history of technology > Coade, Eleanor

  • 14 Hicks optimal

    т. игр. хиксо-оптимальный, оптимальный по Хиксу (набор стратегий участников игры, при котором достигается хиксо-оптимальность)
    See:

    Англо-русский экономический словарь > Hicks optimal

  • 15 Buckingham Palace Buck·ing·ham Pal·ace n

    [ˌbʌkɪŋəm'pælɪs]
    See:
    Cultural note: BUCKINGHAM PALACE Buckingham Palace è la residenza ufficiale a Londra del sovrano britannico. Costruita nel 1703 per il duca di Buckingham, fu acquistata nel 1762 dal re Giorgio III e ricostruita tra il 1821 e il 1838 sotto la guida dell'architetto John Nash. All'inizio del Novecento alcune sue parti sono state ulteriormente modificate. Attualmente è aperta al pubblico durante l'estate.

    English-Italian dictionary > Buckingham Palace Buck·ing·ham Pal·ace n

  • 16 Buckingham Palace

    ¿ Kultur?
    Der Buckingham Palace ist der Londoner Wohnsitz des britischen Monarchen. Der Palast wurde von 1821 bis 1830 von John Nash für King George IV. gebaut und hat über 600 Räume. Die Einweihung fand 1837 zur Thronbesteigung Queen Victorias statt.

    English-German students dictionary > Buckingham Palace

  • 17 Carlton House Terrace

    [,kɑːltən,haus'terəs]
    Ка́рлтон-Ха́ус-Те́ррас (ансамбль из двух зданий в центральной части Лондона; в одном из зданий находится резиденция министра иностранных дел и по делам Содружества [ Secretary of State for Foreign and Commonwealth Affairs]. Создан архитектором Нэшем [John Nash] в 1831)

    English-Russian Great Britain dictionary (Великобритания. Лингвострановедческий словарь) > Carlton House Terrace

  • 18 bucket

    ['bʌkɪt] UK / US
    n
    Cultural note: Buckingham Palace Der Buckingham Palace ist die offizielle Londoner Residenz der britischen Monarchen und liegt am St James's Park. Der Palast wurde 1703 für den Herzog von Buckingham erbaut, 1762 von George III gekauft, zwischen 1821 und 1836 von John Nash umgebaut und Anfang des 20. Jahrhunderts teilweise neu gestaltet. Teile des Buckingham Palace sind heute der Öffentlichkeit zugänglich.

    English-German mini dictionary > bucket

  • 19 bucket

    ['bʌkɪt] UK / US
    n
    Cultural note: Buckingham Palace Der Buckingham Palace ist die offizielle Londoner Residenz der britischen Monarchen und liegt am St James's Park. Der Palast wurde 1703 für den Herzog von Buckingham erbaut, 1762 von George III gekauft, zwischen 1821 und 1836 von John Nash umgebaut und Anfang des 20. Jahrhunderts teilweise neu gestaltet. Teile des Buckingham Palace sind heute der Öffentlichkeit zugänglich.

    English-German mini dictionary > bucket

См. также в других словарях:

  • Nash, John — born 1752, London?, Eng. died May 13, 1835, Cowes, Isle of Wight British architect and city planner. From 1798 Nash was employed by the Prince of Wales. Acquiring considerable wealth, he built for himself East Cowes Castle, Isle of Wight (1798),… …   Universalium

  • Nash, John F., Jr. — ▪ American mathematician in full  John Forbes Nash, Jr.  born June 13, 1928, Bluefield, West Virginia, U.S.       American mathematician who was awarded the 1994 Nobel Prize for Economics for his landmark work, first begun in the 1950s, on the… …   Universalium

  • Nash , John F. — (1928–) American mathematician and economist Nash was born at Bluefield, West Virginia. His father was an electrical engineer and his mother was a teacher. He originally studied chemical engineering at Carnegie Tech. in Pittsburg but moved… …   Scientists

  • Nash, John Forbes — born June 13, 1928, Bluefield, W.Va., U.S. U.S. mathematician. He earned a doctorate from Princeton University at 22. He began teaching at Massachusetts Institute of Technology in 1951 but left in the late 1950s because of mental illness;… …   Universalium

  • Nash, John Forbes — (13 jun. 1928, Bluefield, W.V., EE.UU.). Matemático estadounidense. Obtuvo un doctorado en la Universidad de Princeton a los 22 años de edad. Empezó a dictar clases en el Instituto de Tecnología de Massachusetts en 1951, pero lo dejó a fines de… …   Enciclopedia Universal

  • NASH, John — (1752–1835)    The important eighteenth and nineteenth century architect, well known for both private (Regent Street) and royal commissions (Brighton Pavilion), who contributed to the Etruscan style …   Historical Dictionary of the Etruscans

  • NASH, John — (1752 1835)    See ROMANTIC ARCHITECTURE …   Historical Dictionary of Architecture

  • Nash, John — (1752, ¿Londres?, Inglaterra–13 may. 1835, Cowes, islade Wight). Arquitecto y urbanista británico, fue empleado por el príncipe de Gales en 1798. Adquirió una fortuna considerable que le permitió construirse el castillo East Cowes, en la islade… …   Enciclopedia Universal

  • NASH, JOHN —    English architect, born in London; besides designing plans for some of the chief streets in the city and the buildings in them, was the architect of Buckingham Palace and the Pavilion at Brighton (1752 1835) …   The Nuttall Encyclopaedia

  • John Forbes Nash Jr. — John Forbes Nash John Forbes Nash Jr. (* 13. Juni 1928 in Bluefield, West Virginia) ist ein US amerikanischer Mathematiker, der besonders in den Bereichen Spieltheorie und Differentialgeometrie sowie auf dem Gebiet der …   Deutsch Wikipedia

  • Nash equilibrium — A solution concept in game theory Relationships Subset of Rationalizability, Epsilon equilibrium, Correlated equilibrium Superset of Evolutionarily stable strategy …   Wikipedia

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